Showing posts with label H.G. Wells. Show all posts
Showing posts with label H.G. Wells. Show all posts

Saturday, November 20, 2010

October & November Acquisitions!


The Library is growing! Above shows the entire library, which will soon need new shelving. There have been many new acquisitions in the past two months, which means new members. Also, I must mention that we just passed our one-year anniversary!


There are new books for each collection, spanning many eras and subjects.

Italo Calvino Collection:
Marcel Proust's Remembrance of Things Past: The Captive and Cities of the Plain

Jorge Luis Borges and Robert Smithson Collections both contain:
J.W. Dunne's An Experiment with Time
H.G. Wells' The Invisible Man & The War of the Worlds

Robert Smithson Collection also acquired:
Roland Barthes' Writing Degree Zero
Flannery O'Connor's Everything That Rises Must Converge
Denis Diderot's The Nun
Geza Roheim's Magic and Schizophrenia


(another convergence of covers)

Even the Maria Mitchell Collection was added to with a beautiful version of Lord George Byron's Childe Harold's Pilgrimage. Read to see why this Romantic poet was considered a "rock star" of his day! One can catch a glimpse of the dashing Byron on the title page engraving:


Please contact the Personal Libraries Library at personallibraries{at}gmail{dot}com to check out books, membership requests or any other questions!

Friday, July 30, 2010

July Acquisitions! Piles of books from the Borges, Calvino & Smithson Collections!


A brief vacation for the Personal Libraries Library Librarian led to a brief vacation for the Library itself. Belgium was very inspiring & many books were purchased, unfortunately none for the PLL Collection. I did look for French versions of Flaubert, Perec and Queneau, but to no avail. Yet, books were piling up on the PLL doorstep awaiting my return and accession into the Collections. They include:

The Portable Blake with prose, poetry & drawings of William Blake (Robert Smithson Library),
The Magic Mountain by Thomas Mann (Italo Calvino Library),
At Swim-Two Birds by Flann O'Brien (Borges Library),
Madame Bovary by Gustave Flaubert (Borges, Calvino & Smithson Libraries),
Amerika by Franz Kafka (Jorge Luis Borges Library),


and to accompany Madame Bovary, Philip Spencer's Flaubert: A Biography (with an amazing cover.) Another intriguing acquisition is Douglas Hofstadter's Pulitzer Prize winning Godel, Escher, Bach: An Eternal Golden Braid.


A brief excerpt from a section called "Tangles Involving Science and the Occult:"

Speaking of psychics and ESP, another sphere of life where strange loops abound is fringe science. What fringe science does is to call into question many of the standard procedures or beliefs of orthodox science, and thereby challenge the objectivity of science. New ways of interpreting evidence that rival the established ones are presented. But how do you evaluate a way of interpreting evidence? Isn't this precisely the problem of objectivity all over again, just on a higher plane? Of course, Lewis Carroll's infinite-regress paradox appears in a new guise. (p. 693)


And the beautiful Berkeley Highland edition of H.G. Wells' The First Men in the Moon (Smithson Library) is joined by his The Time Machine (Smithson & Borges Libraries.) A stunning duo.

Friday, December 25, 2009

New Acquistitions to the Robert Smithson Personal Library!


The Personal Libraries Library has been busy acquiring books for the Robert Smithson Personal Library. These new acquisitions include: t zero by Italo Calvino, Dreamtigers by Jorge Luis Borges, Four Essays on Philosophy by Mao Tse-Tung, H.G. Wells' The First Men in the Moon, and Language as Symbolic Action by Kenneth Burke.

t zero, a collection of short stories that contemplate the creation and evolution of the universe (a sequel to Cosmicomics), has an amazing short story that was most likely of interest to Smithson named Crystals. It follows Qfwfq (the main character of these stories) as it commutes from New Jersey to New York through prisms, crystals, lava & magma. The journey is not only a lesson in entropy but also stretches the boundaries of time:

"It could have been different, I know,- Qfwfq remarked,- you're telling me: I believed so firmly in that world of crystal that was supposed to come forth that I can't resign myself to living still in this world, amorphous and crumbling and gummy, which has been our lot, instead. I run all the time like everybody else, I take the train each morning (I live in New Jersey) to slip into the cluster of prisms I see emerging beyond the Hudson, with its sharp cusps; I spend my days there, going up and down the horizontal and vertical axes that crisscross that compact solid, or along the obligatory routes that graze its sides and its edges." (t zero, Italo Calvino, Harcourt Brace Jovanovich:1967, pp. 28-29)

Crystals
is reflected (whether directly or coincidentally) in Robert Smithson's own writing, most specifically in his 1967 work, A Tour of the Monuments of Passaic, New Jersey, when discussing the landscape that he was viewing, recording and monumentalizing:

'That zero panorama seemed to contain ruins in reverse, that is - all the new construction that would eventually be built. This is the opposite of the "romantic ruin" because the buildings don't fall into ruin after they are built but rather rise into ruin before they are built. This anti-romantic mise-en-scene suggests the discredited idea of time and many other "out of date" things. But the suburbs exist without a rational past and without the "big events" of history.' (Robert Smithson: The Collected Writings, Jack Flam ed., University of California Press: 1996, p. 72)

Members can check-out these new acquisitions by contacting the PLL at personallibraries{at}gmail{dot}com. Also look out for even more new books that are forthcoming!