Showing posts with label Lucy Lippard. Show all posts
Showing posts with label Lucy Lippard. Show all posts

Saturday, April 12, 2014

First Lines of New Acquisitions


There are many new acquisitions for Spring 2014, mostly from the Robert Smithson Collection. Each new book and their first sentence is listed below, and starting with:
 
1.  The Language of Magic and Gardening by Bronislaw Malinowski:
   
The linguistic problem before the ethnographer is to give as full a presentation of language as of any other aspect of culture.

2.  Seven Types of Ambiguity by William Empson:

An ambiguity, in ordinary speech, means something very pronounced, and as a rule witty or deceitful.





3.  Changing: Essays in Art Criticism by Lucy Lippard: (seen above)

AndrĂ© Ferminier writes: “What has perhaps been most damaging to the art critic is the prodigious gobbledygook that with him takes the place of vocabulary; and the prefaces to exhibition catalogs in particular would provide a classic anthology of the art of saying nothing.”

4.  The Human Use of Human Beings: Cybernetics and Society by Norbert Wiener:

The beginning of the twentieth century marked more than the end of one hundred-year period and the start of another.



5.  Logic Machines & Diagrams by Martin Gardner: (seen above)

A logic machine is a device, electrical or mechanical, designed specifically for solving problems in formal logic.
 


6.  Field Book of Ponds and Streams by Ann Haven Morgan: (seen above)

Minnows and frogs and brown water beetles, scurrying to cover as we approach the shore of a still clear pond, show us that the water has some very lively inhabitants.

7.  The Modern Technique of Rock Blasting by U. Langefors and B. Kihlström:

Within some thousandths of a second after the initiation of the explosive there occurs in a charged hole a series of events which, in drama and violence, have few equivalents in civil technology.



8.   The Message of the Stars by Max and Augusta Heindel: (seen above, outside + next to its dust jacket)

It is a matter of common knowledge among mystics that the evolutionary career of mankind is indissolubly bound up with the divine hierarchies who rule the planets and the signs of the Zodiac, and that the passage of the Sun and the planets through the twelve signs of the Zodiac, marks man’s progress in time and in space.




9.  Field Book of Seashore Life by Roy Waldo Miner: (seen above and with Message of the Stars)

Protozoa are single-celled animals.


10.  Tropical Trees of Hawaii by Dorothy and Bob Hargreaves: (seen above)

High among the list of reasons people love to visit Hawaii is the lovely tropical foliage to be enjoyed everywhere and at all times of the year.
 
11.  Geography Made Easy by Jedidiah Morse: (from the Maria Mitchell Library)

Geography is a science, which describes the figure, motion, magnitude, and component parts of the earth; the situations, extent, and appearances of the various parts of its surface; its productions animal and vegetable; its natural and political divisions; and the history, manners, customs, and religion of its inhabitants.

For any questions about the Library, Collections or books, please contact the Librarian at personallibraries{at}gmail{dot}com. 

Saturday, May 1, 2010

"Six Years: The Dematerialization of the Art Object from 1966 to 1972" & "The New Novel from Queneau to Pinget"


Two new and exciting books have been accessioned into the Robert Smithson Personal Library this week: Lucy Lippard's Six Years: The Dematerialization of the Art Object from 1966 to 1972 and Vivian Mercier's The New Novel from Queneau to Pinget.

Lippard's riveting book actually has a much longer title:

Six Years: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard.

Not to be outdone, the sub-title (of sorts) of Mercier's book is as follows:

A brilliant critical examination of the works of the leading creators of le nouveau roman: Raymond Queneau, Nathalie Sarraute, Alain Robbe-Grillet, Michel Butor, Claude Simon, Claude Mauriac, and Robert Pinget